Professionals and Qualifications

Heritage consultant competence and the significance test

7 min readBy PlanScope Editorial Team

No rule says who may write a heritage statement. Advice Note 12 says what one should contain, and the gap between the two is where most assessments fail.

Nothing in planning law says who may write a statement of heritage significance. The National Planning Policy Framework asks the applicant to describe the significance of any heritage assets affected, at a level of detail proportionate to the asset's importance and no more than is sufficient to understand the potential impact, and leaves authorship to the applicant. Historic England Advice Note 12 then sets out what such a statement should contain, and reading it alongside a weak statement is the quickest way to see where competence was missing.

So the competence question is answered by the document, not by a letter after a name. A chartered planner with twenty years of listed building work may produce a better assessment than an accredited architect who has never written one. The reverse is also true.

What Advice Note 12 expects of an author

The advice note asks for significance to be analysed rather than asserted. In practice that means identifying what the asset is, how it came to be that way, which parts of it carry which values, and which attributes are vulnerable to the proposal. Historic England's conservation principles supply the vocabulary for the values themselves: evidential, historical, aesthetic and communal.

An author who can do that needs four skills. Documentary research, to establish development phases from maps, deeds, archives and the listing description. Fabric analysis, to read the building itself and date what the documents do not cover. Comparative judgement, to place the asset against others of its type. And the ability to write a conclusion that survives cross-examination.

Few individuals hold all four at the level a Grade I case needs. A statement produced by a researcher working with a building archaeologist is often stronger than one written by a generalist alone, and it is reasonable to ask who did which part.

Conservation accreditation routes

The recognised routes signal different things. The Institute of Historic Building Conservation offers full membership for conservation practitioners across disciplines, including local authority conservation officers. The Royal Institute of British Architects maintains a conservation register with graded levels of accreditation. The Royal Institution of Chartered Surveyors operates a building conservation accreditation for surveyors. Separately, the register of architects accredited in building conservation covers architects working on historic fabric.

Those are competence signals for work on buildings. They are not, by themselves, evidence of competence in writing significance assessments, which is a research and analysis task rather than a design or repair task. An accredited architect is the right person to detail a repair and may not be the right person to establish the building's phasing.

For archaeology the position is clearer, because the Chartered Institute for Archaeologists publishes standards and guidance and maintains registered organisations, and councils routinely require work to be carried out to those standards. There is no equivalent single standard for heritage statements on buildings.

Where art historical and building archaeology skills differ

Architectural history works outward from style, type, documentary record and attribution. Building archaeology works inward from the fabric: mortar joints, reused timbers, blocked openings, tool marks, the sequence of what was built against what.

The two methods reach different kinds of conclusion. An art historical assessment will tell you the building is a competent example of a regional vernacular type of around 1760. A building archaeology assessment will tell you the north range is earlier than the listing suggests, that the roof structure has been raised once, and that the apparently original staircase is a nineteenth century insertion.

That second kind of finding changes schemes. It is also the kind most often absent from a statement, because it requires access, scaffolding or at least a ladder, and a careful look at parts of the building nobody has examined for decades. Where significant fabric will be removed, Historic Building Recording to the appropriate Historic England level is the related discipline, and the person who can do the recording can usually do the analysis.

Assessing significance against justifying harm

These are two separate exercises and they belong in that order. First establish what the asset's significance consists of. Then assess what the proposal does to it. Then, if there is harm, make the case under the policy tests.

Stage Question answered Common failure
Significance What matters about this asset and why Repeating the list description as though it were an assessment
Impact Which attributes of significance the proposal affects Describing the scheme rather than its effect
Harm Whether harm arises and at what level Asserting a level without identifying the affected attributes
Justification What public benefits weigh against the harm Treating the applicant's private benefit as a public one
Mitigation What reduces the harm Offering recording as mitigation for loss of fabric

The statutory duties frame the whole exercise. Section 16 of the Planning (Listed Buildings and Conservation Areas) Act 1990 applies to listed building consent, section 66 to planning applications affecting a listed building or its setting, and section 72 to conservation areas. The courts have held that those duties require considerable importance and weight to be given to any harm, a point confirmed by the Court of Appeal in the Barnwell Manor case in 2014, so a statement that concludes harm is minor without identifying what it falls on has not done its job.

A listed building consent application needs three things: an assessment of significance, a design and justification for the works, and enough drawn and specified detail to understand the intervention. One person can rarely supply all three.

The pattern that works on most domestic and small commercial cases is a conservation-experienced architect or surveyor producing the design and the specification, with a heritage specialist producing the Heritage Statement and the significance analysis. On larger cases add a building archaeologist for fabric analysis and, where below-ground deposits are involved, an archaeologist to the institute's standards.

On a straightforward case the same person often does everything, and that is fine where the works are modest and reversible. The judgement to make is whether the works touch anything the statement would need to analyse carefully.

Evidence an inspector expects at appeal

Inspectors read heritage statements closely because the statutory duty forces them to. What they look for is traceable reasoning: a described asset, identified attributes of significance, a stated effect on named attributes, a characterised level of harm, and public benefits evidenced rather than asserted.

What tends to fail is the statement whose significance section is short and whose justification section is long. If the assessment never establishes that the rear wing is of limited interest, the conclusion that removing it causes less than substantial harm has nothing underneath it.

Bring the author to the appeal, or have them write the heritage evidence. A planning witness presenting someone else's heritage conclusions cannot defend the analysis under questioning.

Checking a heritage statement for circular reasoning

Four tests catch most of it. Does the significance section describe anything the proposal does not affect? A statement that only discusses the parts being altered has been written backwards. Does the harm conclusion name the attributes it relies on? Does the public benefit section identify benefits to the public rather than to the applicant? And is recording offered as mitigation for the loss of fabric, which Historic England guidance treats as a means of capturing information rather than as a reduction in harm?

Reading a statement for those four things takes twenty minutes and tells you more about the author than their CV will. The wider question of how to read competence from a CV is covered in reading a consultant CV for real competence, and the register checks are set out in checking a professional institute register.

PlanScope drafts heritage statements structured to the policy framework, with the significance analysis flagged for completion from site evidence rather than invented. The analysis itself needs an author who has looked at the building, and councils usually expect that author to be named. Reviewers who sign off drafts are listed in the professional directory. Reports should be reviewed before submission and PlanScope does not guarantee planning approval. Verify the current National Planning Policy Framework edition and its historic environment policies on gov.uk, because the Framework was reissued on 17 August 2026 with policy-coded chapters in place of paragraph numbers.

Frequently asked questions

Who is qualified to write a heritage statement?

There is no statutory qualification. The National Planning Policy Framework requires the applicant to describe significance proportionately and leaves authorship open. Competence shows in the document: documentary research, fabric analysis, comparative judgement and a defensible conclusion. Accreditation through the Institute of Historic Building Conservation, the RIBA conservation register or RICS building conservation accreditation is a useful signal.

What does Historic England Advice Note 12 require?

It sets out what a statement of heritage significance should contain and how significance should be analysed rather than asserted. That means identifying the asset, its development phases, which parts carry which heritage values, and which attributes the proposal would affect. The conservation principles supply the value categories: evidential, historical, aesthetic and communal.

Is a conservation accredited architect the right author?

For designing and specifying work on historic fabric, usually yes. For analysing significance, not necessarily, because that is a research and analysis task rather than a design task. On larger cases the stronger arrangement is a conservation-experienced architect for the design with a heritage specialist or building archaeologist producing the significance assessment.

What makes a heritage statement fail at appeal?

A short significance section with a long justification section. Inspectors have to give considerable importance and weight to any harm under the statutory duties, so a conclusion that harm is less than substantial carries no weight unless the statement first identifies the attributes of significance affected and explains the effect on each.

Does recording mitigate the loss of historic fabric?

Not in the sense of reducing harm. Historic England guidance treats recording as a means of capturing information before loss, which keeps the evidential value available for study. Harm to the asset still occurs and still has to be justified. A statement offering recording as mitigation for demolition has misunderstood the policy.

Sources and further reading

heritagecompetencelisted buildingssignificancehistoric englandprofessionals

This article is general guidance about the planning system in England and, where stated, the rest of the UK. It is not legal or professional advice. Check your local planning authority’s validation requirements and take professional advice for your specific site.

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